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15 septembre

Regrets

I’ve tried to live my life without regrets, but I do have a couple.  One of them is something I did when I was in my teens.  Let me tell you the story.

When I about 15, a girl I went to church with had a crush on me.  I didn’t know it at first, and blithely went on about the normal girl chasing I did back then.  I was more interested in her cousin*, but her cousin didn’t care much for me (at first), so I kept chasing the cousin, and this girl—let’s call her “F”—kept chasing me.

“F” was a pretty backward girl.  Although she was quite attractive in her own way, she was extremely shy.  She grew up in a very conservative religious family that did not believe in wearing makeup or girlish clothing.  This all meant that she lagged behind her peers in terms of attracting guys.  She carried a torch for me for several years, but I was completely unaware of it.

Eventually, the cousin and I hooked up and were boyfriend/girlfriend for awhile.  Then we broke up and remained friends.  It was at this point that I learned “F” had feelings for me.  Too backward to say anything, she’d stood quietly in the shadows while I chased her cousin and various other females, catching one of them from time to time.

Near Valentine’s Day one year, the cousin asked me to take “F” to our church’s “Sweetheart Banquet,” and I did.  “F” wore make-up—against her parents’ teachings—probably for the first time in her life.  She bought a brand new dress for the occasion, and looked simply wonderful.  I was, however, too interested in other girls and chasing the ones that lived a little more on the wild side to really do anything about this.  “F” and I remained friends, but there was never any real romance—mostly because I would not explore that with her.

“F” and I were involved in a youth program that you can learn about here and were members of a team that had some real success.  We traveled the country together and became great friends, but I still didn’t know what to do with the fact that she had feelings for me.  I never really stopped to ask myself whether I might have feelings for her.  Instead, I chased still more girls, and eventually caught one that I wish I’d never met.  We’ll call her “A.”

“A” was the quintessential spoiled rich girl.  The youngest of two kids and the only girl, she was doted on by her wealthy parents.  She was also physically beautiful.  Intellectually, she was a zero, and, more importantly, she was very rotten, selfish person.  She was as shallow and fickle as girls come, and used people for her own ends without thinking twice about it.

Anyway, I met “A” at summer camp through her older brother who was a friend of mine.  “F” was at that camp, too, but I basically ignored her.  I was captivated by “A’s” physical beauty and never stopped to think about whether she was actually beautiful inside.  You know the old saying your mother used to quote that “beauty is only skin-deep?”  Well, I think they invented that one just for her.

So, I began a relationship with “A” that subjected me to varying degrees of misery for many years thereafter.  “A” cheated on me repeatedly, then went ballistic when I would find myself another girl.  “A’s” parents constantly interfered with us, and “A” seemed to like it.  “A” wreaked havoc with my emotions; meanwhile, “F” continued to carry a torch for me and probably hoped that I’d eventually come to my senses.

I’m embarrassed to admit that I never really did—come to my senses, that is.  I mean, yes, I eventually realized what a huge mistake I’d made in getting mixed up with “A,” but, by then, it was too late.  I was damaged goods, and “F” had moved on with her life.

I saw “F” a few years after everything was finally over with “A,” and I could see the hurt I’d caused in her eyes.  She and I had taken separate paths, and there was no going back—no matter how much both of us might have wanted to.  Sometimes life doesn’t give you do-overs.  Sometimes, there are no second chances.  You get one opportunity to do what’s right, and, after that, maybe you just live with your choices.  I always felt bad about that.  I always felt terrible about the pain I’d caused “F.”  I chased this rotten, selfish pathetic excuse for a woman; meanwhile one of the best girls I ever met was dying inside.  I don’t go around causing people hurt intentionally, but I was young and foolish, and that is exactly what happened.

Eventually, “F” moved on and became a missionary—to Taiwan, as I recall.  I don’t know whether she ever married.  We both moved on with our lives, but I still look back with regret on the way that I treated her.  Perhaps we would never have had a romance between us, but the way I handled myself back then left much to be desired.

So, “F,” if you ever read this, I hope you’ll forgive me.  I know we’ve now taken our own paths and moved on, but I want you to know I never meant to hurt you.  You were like a sister to me.  I wish I’d been more considerate of you and your feelings back then.  I wish I’d explored you and gotten to know what a wonderful person you are for myself.  You didn’t deserve what I did, and I just want you to know that “A” never held a candle to you.  If I had it to do all over again, I’d never have even met “A.”  I have realized what a mistake it was for many years now and can only hope you’ll forgive my callous disregard for your feelings.  As hard as it might be to believe, I never meant to break your heart.  I hope you find happiness with another, and I hope that person loves you for the truly wonderful and exquisite—and beautiful—person that you are.


*Some of the names and relations have been changed to protect people's privacy.

Song for the day: The Future Is Not What It Used To Be

Today's song is:  "The Future Is Not What It Used To Be" by Ronnie Milsap (it's been on here before, but it's an especially poignant song for me).  Click the link to listen to it.  Here are the lyrics:

I left Tecumseh trying to forget her
Bought a ticket to Springfield, MO
I wound up in Seattle confused and too rattled
To know that I'd caught the wrong train.

I met some fast living women and some hard living men
Tried to heal the sorrow in me
Oh I once had a lot but the future is not
Not what it used to be.

Oh the years they went by and I went steadily down
'til I had no place to go
Made the soup lines by morning and the dives every night
Wrecking my body and soul.

And then I met a lady and in time she made me forget
Yes her love set me free
Oh we ain't got a lot but the future is not
Not what it used to be.

Oh I never thought I could live to get over
For the past cut a hole deep in me
But there's a chance I'll be here a while longer
At least now I wanna be.

Somebody told me that you were in town
And I found out today
And you know I'm sorry to hear that you're down
But, honey, what can I say?

I know your sorrow and I know your pain
Don't you know I know your need
'cause I once loved you a lot but, girl, the future is not
Not what it used to be...

2 septembre

Late August

A little recap of my adventures Friday night:

It’s late August, and my son and I are zipping around Dallas with the T-tops out and the windows down. Every time we drive the sports car, he pesters me to take the tops out and turn the radio up, and tonight I oblige him. We’ve just left the Landmark Theatre where we caught the Dallas opening of The King of Kong: A Fistful of Quarters, one of the best movies I’ve seen in years. I got turned on to this one thanks to Brian Flemming’s blog, and it was everything I’d hoped. It’s well worth your time if you like a good story, a bit of intrigue, and some honest filmmaking.

Anyway, it’s a summer night and my son and I are zipping around in a red sports car through downtown Dallas. I’d planned to take him out for “gas station tacos” at a Fina station that’s a local gathering place for young people and happens to have a walk-up window for some delicious soft tacos. Two Hispanic ladies work the window and make the best soft tacos you’ve ever tasted, doling them out by the bagful. The place is open all night, and attracts a young, festive demographic I know he’ll be into, but I can’t find it. We zip all over downtown Dallas, but I haven’t been there in some time, and I simply can’t find the place. My son doesn’t seem to care—he seems to dig the open air, the radio, and the tour of the mostly-deserted downtown environs.

I then suggest we run over to Deep Elum or Lower Greenville and get some eats, and he eagerly agrees. One thing you can always count on a teenage boy being into is food. It comes somewhere between girls and video games on his list of life’s best things. I know a cool restaurant in Deep Elum named Angry Dog that serves Dallas’ best hotdog. We zip over on Commerce Street and soon find “The Dog.” We park right in front of the place, step out the roof and over the doors of my car like we’re Magnum, P. I., and I happen to notice there are women everywhere—outside The Dog, inside, in cars in front, etc.—and they’re checking out my son. He’s checking them out, too. I consider covering his eyes, and we walk inside.

We then have the best hotdog either of us has had in many moons if not ever, down several sodas, then head back out into the night. The women are still there, and my son is still taking note.

We speed away and jump on the highway to head home—Van Halen’s Jump on the stereo and the wind wreaking havoc inside the car. It’s never like it is in the movies—the wind, that is. They always show it gently blowing through convertibles or open-air cars in the movies, sometimes it’s even a little brisk, but it’s really just a special effects guy with a fan off-camera. In reality, racing down the highway with the tops out and the windows down is like driving around in a wind tunnel. My son’s hair, which is close-cropped and filled with twelve kinds of gel and mousse, is unaffected. Mine, which is too long and lacks my son’s lacquer finish, is beginning to resemble that of the Reverend Jim from Taxi. The wind batters us as we drive, but we don’t care. It’s late August, summer’s almost over, and we’re just living in the moment. Neither of us says a word as we zoom northward home.

School started the previous Monday, and my son is now a sophomore. I glance over at him as he stares out into the night, rockin’ to a song I rocked to when I was about his age. Seems like just yesterday he was singing along with Barney. He doesn’t have a care in the world, but I’m a little sad when I realize that his time at home, like summer itself, is drawing to a close. Nights like these—they are especially precious to me lately. I wonder what he will remember of them when he’s older.

16 mai

Fun with Google

For you Hitchhiker's Guide fans out there, came across this awhile back.  Google this:  What is the answer to life, the universe and everything?

You can actually use it in computations and so forth as well. 

I'm thinking the folks at Google have a little too much time on their hands.



11 mai

Song for the day

Today's song is "Where Do Broken Hearts Go," by Whitney Houston.  Yes, I know it's sappy, but I always liked it, and pre-Bobby Brown Whitney does a superb job with it.  Here are the lyrics:
 
I know it's been some time
But there's something on my mind
You see, I haven't been the same
Since that cold November day...
We said we needed space
But all we found was an empty place
And the only thing I learned
Is that I need you desperately...
 
So here I am
And can you please tell me... oh
 
Chorus:
Where do broken hearts go
Can they find their way home
Back to the open arms
Of a love that's waiting there
And if somebody loves you
Won't they always love you
I look in your eyes
And I know that you still care, for me
 
I've been around enough to know
That dreams don't turn to gold
And that there is no easy way
No you just can't run away...
And what we have is so much more
Than we ever had before
And no matter how I try
You're always on my mind
 
chorus
 
And now that I am here with you
I'll never let you go
I look into your eyes
And now I know, now I know...
 
chorus
10 mai

They want Andrea down south

In a move that might lead some to question his sanity, Florida governor Charlie Crist is welcoming Andrea, the season's first tropical storm, with open arms. He hopes she'll help quench some of the wildfires threatening to consume his state. Florida and Georgia both need rain--lots of it--to combat the wildfires plaguing the Southeastern US. There's considerable doubt about whether Andrea will be able to deliver, though; forecasters predict that she'll be mostly wind. Andrea may "be a mixed blessing," the governor said Thursday. Amen to that, Governor. Amen to that.
29 mars

Missing Brad

Was grooving again tonight to the digitally remastered version of Boston, the eponymous debut album of that band from way-back-when.  I can’t really explain it, but Brad’s suicide has affected me profoundly.  I suppose it sounds a bit insane, but I just hurt for the man and his family. 
 
I was checking out the latest band photo on Wikipedia and noticed something I’d never have seen before Brad passed:  he’s the only one not smiling.  In fact, he’s relegated to the back and looks a bit lost.  Take a look for yourself.  He’s in a different place from everyone else in the photo.  Tom’s happy.  Fran’s trying to assert himself as the alpha-male lead singer.  His son has a smirk on his face and wants us to see his biceps.  Gary Pihl loves Brad and loves music.  Kim’s glad to be in the band.  Brad is somewhere else.
 
I’m sure the signs were all there.  I’m sure those closest to him know that now.  In fact, they’re probably haunted by it.  But Brad was the kind of guy that would never want anyone to blame themselves for his problems.  He’d handle them selflessly and in his own way with the quiet dignity that epitomizes the truly gentle.  That’s why his fiancée knew nothing of his pain.  Brad would never have made his problems hers.
 
As I listened to the music, I couldn’t help but hear the joy in his voice.  Thirty years ago, he loved what he did.  I wonder when that stopped.  I suppose when that was gone, it wasn’t long before Brad himself was.
 
As cliché as it sounds, I know Brad lives on in his music.  I know it’s true.  But as the old Jim Croce song goes, I just wish I could convince my heart of it—that’s just not the way it feels.  It feels like we lost something pure and good and honest when we lost Brad.  What difference does one man make?  To a teenager coming of age while learning about love and heartache the old-fashioned way, Brad’s soothing harmonies were a calm in the middle of the storm, a warm friend I could always turn on my stereo and find anytime I needed him.  Multitudes of other kids who came of age in the 70s would say the same thing.  And now he’s gone forever, and we can never repay him or let him know how much he meant to us.
 
Time to put the disc back in.  I suppose if I think about this long enough, I’ll find a way to get my mind around it.  For now, those soothing harmonies will have to get me by.
27 mars

Song for the day

Today's song is "Wild World" by Cat Stevens.  It's got a great message and comes to mind often.
16 mars

Brad

I speculated a few days ago about whether Brad Delp, lead singer of the rock group Boston, had been called home by God because He had a vacancy in the angel choir.  Based on reports since then, it turns out that that wasn’t the case at all.  Brad went home on his own.  He took his own life. 
 
Attached to his collar with a paperclip was a note in which Brad described himself as a “lonely soul.”  I’m sorry, but that’s just profoundly sad—heart-wrenching even.  One of the best voices ever to grace rock ‘n’ roll will sing no more.  One of the nicest people you could ever hope to meet was so lonely that he felt he could not go on.  Something’s very wrong with that.
 
The various online obituaries for Brad mention that he sang a couple of Boston’s biggest hits, but that does him a terrible disservice.  Boston took the world by storm when it came on the scene in 1976.  MIT grad and guitar whiz kid Tom Scholz laid the musical foundation for Boston’s siege on American rock ‘n’ roll, but Brad gave it its distinctive sound.  Coupled with Tom’s memorable guitar riffs, Brad’s high-register harmonies defined what made Boston unique.  They made it stand out from all the other bands of the time.  Boston was the kind of fresh breeze on the airwaves that made you stop what you were doing and go, “Who is that?”
 
Many rock aficionados know that Boston’s eponymous debut album is the bestselling debut album by a rock act ever.  In fact, for about ten years, it was the bestselling debut album for any music genre.  What most people don’t know, however, is that Brad laid down all the vocals on the album himself.  That’s right, all those wonderful harmonies you hear on Boston are actually just one person singing on multiple tracks.  He also wrote “Let Me Take You Home Tonight,” one of the band's biggest hits, and the B-side of their megahit “Long Time.”  Tom Scholz played nearly all the instruments, so that first album you hear is really just two guys—two very, very talented guys.  Here’s Brad singing “Let Me Take You Home Tonight” in Florida in 2004:  http://www.youtube.com/watch?v=dg6oSkZCCTs.
 
Nearly every song on that first album was a hit, not to mention several off of the two that followed it.  Brad sang all of Boston’s material through Third Stage.  One of my favorites is “Amanda,” after which I named one of my daughters.  Those are all Brad Delp specials—they’d never have been the same—and probably wouldn’t even have been hits—had he not lent them his special genius.
 
Brad had a sweet voice, but an even sweeter personality.  He was just a really nice human being, someone who’d give you the shirt off his back, a humble artist who’d do anything for the fans.  And yet he was supremely lonely—all by himself in a world of friends and admirers.
 
What drives a person to suicide?  Or is that the wrong question?  Maybe it’s that some aren’t so much driven to suicide as it is that they simply run out of reasons to live—at least from their perspective.  Brad had a fiancée he was supposed to marry over the summer who knew nothing of his suicidal thoughts and children from his first marriage that he must have loved dearly.  He had a loyal fan base around the world that would travel long distances and gladly shell out their hard-earned cash just to hear him play and sing.  He had his band mates and a thirty year friendship with Tom Scholz.  Tom once joked that on hearing Brad sing for the first time, he handcuffed himself to him and wouldn’t let him get away—he knew he had to have him lead his band.  (In the near future, you'll be able to listen to the interview with Brad and Tom where I heard this here:  http://inthestudio.net/interviews.asp)
 
So what causes a man so loved and with seemingly so much to live for to take his own life?  Brad’s suicide notes said that he’d simply lost the will to live.  How can that be?  I suppose if you don’t fear the hereafter and you feel you just aren’t worth much to this life, maybe suicide becomes an attractive option.  I dunno.  Maybe the pain becomes unbearable and you begin to yearn for the comfort of the eternal sleep that awaits us all.  Feeling that his best days were behind him, maybe Brad saw nothing in the ones to come that could sooth the pain he endured alone, that he hid from those closest to him.  The loneliness became a monster that consumed him, his only companion as he lie there in his bathroom floor waiting for the carbon monoxide to vanquish it once and for all. 
 
One of Boston’s most memorable songs was “Peace of Mind” off that first album.  The lyrics go like this:
 
Now if you’re feelin’ kinda low bout the dues you’ve been paying
Future’s coming much too slow
And you wanna run but somehow you just keep on stayin’
Can’t decide on which way to go
Yeah, yeah, yeah
 
(Chorus)
I understand about indecision
But I don’t care if I get behind
People livin’ in competition
All I want is to have my peace of mind.
 
Now you’re climbin’ to the top of the company ladder
Hope it doesn’t take too long
Cantcha you see there’ll come a day when it won’t matter
Come a day when you’ll be gone
 
(Chorus)
 
Take a look ahead, take a look ahead, yeah, yeah, yeah, yeah...
Now everybody’s got advice they just keep on givin’
Doesn’t mean too much to me
Lots of people out to make-believe they’re livin’
Can’t decide who they should be.
 
(Chorus)
 
Take a look ahead, take a look ahead. look ahead.
 
I guess Brad had thought about that day when “it won’t matter” often.  I’m sure he thought about the day when he’d be gone.  He took a look ahead and didn’t see enough to live for.  Truly a shame.  I still can’t believe it.
 
A good friend of mine once observed, “Tom Scholz is what happens when an engineer becomes a rock guitarist.”  Tom’s wizardry with the instrument is legendary.  If that’s so, I guess Brad was what happened when a truly nice guy—a guy you might name your kid after or ask to be a godparent—became a rock ‘n’ roll singer.  There have been many imitators, but there was only one Brad Delp.
 
I wish I could tell you I know that he’s in a better place.  I wish I could tell you I know he’s singing with the angels.  He certainly deserves to be.  All I know is that his pain is over now.  The aloneness that consumed him has at last been put down.  Brad’s lonely days are no more, but the world is a lonelier place without him in it. 
 
Here’s how I prefer to remember Brad—in his prime and singing his heart out:  http://www.youtube.com/watch?v=oB-gmuiFqgY
 
9 mars

Brad Delp is dead

Boston lead singer Brad Delp has died.  He was not only one of the most influential voices in the history of rock 'n' roll, but he was also just a really nice human being.  Those of us who loved the man and his music are deeply saddened by his passing.  Fifty-five years just isn’t long enough on this earth for a talent as ageless as Brad’s.  They haven’t yet determined the cause of death, but I like to think God had a vacancy in the angel choir that he needed to fill, so he called home his favorite voice.  Brad’s was certainly as otherworldly as any rock voice has ever been.  That’s what I want to think for now.  Peace be to you, Brad, wherever you are.

 
Here are the lyrics to a timely song Brad wrote and recorded recently with Barry Goudreau, former guitarist for Boston:
 
WHAT YOU LEAVE BEHIND
Delp & Goudreau

It's a constant revelation
Ever changing over time
As we chart our destination
Take our places on the line
Were we put here for a reason
Part of someone's grand design
Or does the answer come from living
Taking one step at a time

And we build on our traditions
Taking hope in what we find
And we strengthen our positions
On what's been left behind

It's a constant education
In a world of give and take
Along the way sometimes we stumble
But we learn from our mistakes
Always looking for an answer
To find the reason in the rhyme
There's a million burning questions
And we keep looking for a sign

And some call on intuition
Some call on the divine
In the end it doesn't matter
It's what you leave behind

And some call on inner vision
Some call on the divine
No matter what the inspiration
There's always something on the line
So don't squander what you're given
Make the most of precious time
Life's not only for the living
It's what you leave behind
5 mars

Movie Review: Pan's Labyrinth

Score:  ωωωωω   (Five out of five omegas)

You can read plenty of fine reviews of this film elsewhere on the net, so I’ll keep this brief. Pan’s Labyrinth (Spanish title: El laberinto del faunoThe Labyrinth of the Faun—Pan was a faun in Roman mythology) is the best film I’ve seen since last year’s Little Miss Sunshine. The story is fresh, there are some nice twists and turns, the performances are excellent, and the special effects, while very good, are mere tools for telling the story, not the story itself. This is the first Spanish-language film I’ve seen in awhile, but it was well worth the wait. In my opinion, it’s writer-director Guillermo del Toro’s finest work yet. These writer-director affairs can be a bit self-indulgent (e.g., M. Night Shamalam, whose work I generally don’t care for because I believe he cheats in order to provide unexpected twists—see The Sixth Sense and all the nonsense in that one as an example; Shamalam’s twists are unexpected because they are illogical or impossible or both.) But not this one—it’s a tight little movie that moves along briskly and never gives you a chance to get bored or disengage. I couldn’t take my eyes off of it and may go see it again.

15 février

Song for the day

Today's song is "Way Back Into Love" from the soundtrack to the movie Music and Lyrics starring Hugh Grant and Drew Barrymore.  Yes, that's really Hugh Grant singing.  And, yes, it's a sappy ballad.  But I like it.  It speaks to me.  You can find the lyrics here.
8 février

One of the most sickening things I've ever seen

 
I hate to bum you out, but this made me want to puke.  Profoundly sad.  Those little footprints.  How will the man live with himself?
29 janvier

Laddy

I guess I’m in a sentimental mood lately, but I was touched by the piece below written by a good friend of mine who happens to be blind.  His guide dog died today, and he sat down and wrote this tribute to him.  I’m an animal lover myself and could instantly relate, but the bond between a blind person and their guide dog is stronger that I think us sighted folks can even understand.  A good guide dog rightfully gets most of the credit for giving his owner what limited measure of independence he enjoys.  Having to depend on others for basic things that you and I take for granted—like finding the restroom in a crowded restaurant or going to the mailbox to get the mail or taking a walk around the block—can be virtually impossible for the visually impaired without the help of another person or a trained guide dog.   Doug’s dog Laddy died today, but he will not be soon forgotten by anyone who knew him.
 
==================
 
Laddy is gone. He was 9 years, 1 month, and 12 days old.
This, of course, will not do him justice, but a quick look at a few highlights of my seven years with him...
 
Laddy
By Doug Tingler
 
New York City, New York--Laddy and I had our own miracle on 34th Street, walked by the Empire State Building, Times Square, rode a subway, went to Macy's and ate at the largest restaurant in Manhattan which at that time was the All American Sports something or another.
This experience was intense, it was great, and it was something I would have probably never done if I had not met Laddy.
 
Shawnee Jr. High, Shawnee, Oklahoma--I wanted to take a quick tour of my old junior high school. This building is now the Board of Education (the old red brick building by the park). One day Laddy and I were near there, and I got bold and went in the front door. I had a plan, go to the stairs on the north end, go up one flight and back down the stairs on the south end and back out. It is hard to go unnoticed when you have a large black lab in an office building, but we turned right and went to the end of the hall. At the end of the hall, sometime in the past 30 years someone had built a wall with a door, so we went through the door, and I closed it behind us thinking that we would be in a stairwell. As it turned out, we were in a janitor’s closet, so I decided to come out of the closet. We then walked by the main receptionist as she was asking "Can I help you?" I gave her a quick "No thank you" and continued to the south end of the hall. Oh no, again there was not a staircase but a wall with a door. I opened the door, and we went through, this time there were stairs leading down but not up. Running out of choices, we started down until I realized that the entire floor was dark so we quickly and happily exited the building. Laddy always wondered what that trip into the old Jr. High was about.
 
Chicago, Illinois--Something Laddy and I did together that really stands out is the Cubs game. We were at the historic Wrigley Field in Chicago to see the Cubs hosting the Mets. Bratwurst, cold beer and baseball... it doesn't get much better than that. As things turned out, one of the guys in our group did not show, so Laddy not only got to go to the game, he had his own seat! It was great, Laddy sat up proudly in his seat watching the game just as thousands of other Cub fans were doing. During the game, Laddy had a couple of peanuts with the guys, and I think that he may have even snuck a lap or two of my beer. I honestly think that he had as good a time as I did that day.
 
Kansas City, Missouri--It was OU in Kansas City for the championship game. One of the best restaurants I have ever been to was in, I think, Lee's Summit just outside Kansas City. It was a Cajun, jazz, blues, kinda place. Heck, it could have been BB King up there singing in the band, and the food was as good as the music. I was a little nervous taking Laddy into such a nice place--lots of people and noise and things going on. But he did fine; I don't remember having any problem with him at all. Oh, and BTW, the place was called Jazz, and, after that, Laddy always liked black blues singers.
 
Chickasaw National Recreation Area, Sulphur, Oklahoma--The park in Sulphur is one of my very favorite places on earth--partly because it is a nice little park, but mostly because of all of the great memories there growing up. Laddy and I went camping and hiking in the Sulphur area more than once. But one trip stands out because we went alone. Laddy and I always worked better as a team when we were alone or in a challenging situation. There we were, it was fall, and the weather was great. Laddy and I both had backpacks on with all kinds of gear and food. One of the things that attracts me to this park is that I am very familiar with the hiking trails. But despite that, one day I got lost for a few minutes. Seems that when Laddy would come to an intersection he would stop and lets me decide which way to go, but when he would come to a "Y" in the trail, he would just pick one... After I realized I was lost, we simply backtracked to a known point and went from there. These four days were very challenging and tiring, but it was great--I was totally independent and on my own out there... well not really, Laddy was with me the whole time.
 
Grand Canyon, Arizona--Laddy and I went to the Grand Canyon, a fascinating place. It was the first time I had been there since my early childhood. Somewhere along the line I developed a fear of heights, and we stayed back quite a ways from the edge, but as always Laddy loved the whole experience of being there, and so did I.
 
Appalachian Trail, Virginia--Most people that know me know that for years I have dreamed of hiking the Appalachian trail. If it were not for Laddy, I would have not gotten anywhere close to this dream. Laddy and I, along with my son, did make it to the AT for a couple of days on the trail. Laddy was great on the trail and loved camping.  He always thought it was funny to sleep in a small backpacking tent, and he loved the outdoors as much as I do. This was truly a great experience for both of us.
 
Myrtle Beach, S. Carolina--Laddy laid on the white powder sand of Myrtle Beach. He watched the waves roll in, over and over until he slowly fell asleep in paradise...and now that I think about it, I did the very same thing.
 
16 janvier

Eulogy

My great-aunt Lola Belle passed away on Thursday, January 4th.  We traveled to the west Texas town of Tahoka for her funeral the following Saturday.  I was asked to give part of the eulogy.  I wasn’t given much notice and wished I’d said more than I did, so you get to read what I wish I’d said.  Note that this was/is intended for a specific audience--my family--and was intended to be spoken, not read.  I usually try to follow Mark Twain and write the way people speak, but this piece is even more so as it is what I wished I'd said myself.
 
For My Aunt Belle
 
Aunt Belle lived a full and healthy life.  For most of her 94 years on this earth, she was in good health and had a clear mind.  While we will certainly miss her, her passing should not be merely a time to mourn, but also a time to celebrate—a time to rejoice in the full life she lived, the lives she touched, and the happiness she brought us all.  To that end, I’d like to share a few stories about her from my childhood.  Everyone in this room could probably do the same for she touched generation after generation of this family.
 
As many of you know, I grew up on a farm in Oklahoma.  We didn’t have a lot of money or this world’s goods.  We lived in a small wood frame house and got by the best we could.  I had a wealthy uncle who lived across the road from our place.  He seemed to have about everything a man could ask for—more money than he needed, a great wife and kids, a career he loved, a beautiful ranch, a mansion of a house—everything.  Ever so often, the Texas relations would come to town to see their kinfolk up north and almost without exception they prefered to lodge with my rich uncle at his palatial estate.  But not Aunt Belle.  Aunt Belle was plain folk.  She had no airs about her.  She and her brother, Uncle John T. always preferred to stay with us.  They’d spurn the extravagance of my uncle’s estate and sleep on our embarrassing little hide-a-bed in the living room and help out around our farm—that’s just the kind of people they were.  They were much more in their element with us, and that endeared them to us.  It always meant a lot to me personally, and I will never forget them for it.
 
“Festive” best describes the mood in our house when Aunt Belle would come to visit.  Having no family of her own, she’d stay with us for weeks at a time.  I remember the excitement of getting off the school bus and seeing her car sitting in our driveway off in the distance.  We knew we’d be in for some great down-home cooking, funny one-liners, wonderful stories, and all the rest, and we’d run all the way home to see her.
 
Despite already being up in years, Belle would jump right in and help out around our farm when she came to see us.  She was with us the first time we defeathered chickens by boiling their dead carcasses until the feathers fell off—anyone who’s ever done this will never forget the experience (or the smell).  She helped us plant many of our large truck gardens.  I can still see her in that broad-brim straw hat, in those polyester slacks suits she liked to wear, out there in our garden in 100-degree heat, working right along side us.  She’d keep us laughing with her funny ways and ornery remarks, and you could tell she loved being a part of what we were trying to do out there.
 
Aunt Belle was with us through good times and bad.  She was there that year we lost over fifty head of Holstein calves from our dairy heard to disease; she was there with us trying to save each one, staying up all night with them, laying their heads in our laps, forcing medicine down their throats, and crying and praying that we might save this one or that one against all odds.  She was there when we brought a couple of them into our house and laid them on a blanket on the kitchen floor to get them out of the weather and keep an around-the-clock vigil in hopes of saving them.  She was there when we lost nearly every one of them and had to bury one after the other out in the pasture.  She knew how we loved our animals and her heart went out to us.
 
Aunt Belle had a lot of funny one-liners and mannerisms that kept us in stitches.  She liked to refer to old people, including many that were considerably younger than her, as “that old fossil” or “that old so-and-so.”  Another favorite label was “outfit”—when she couldn’t think of someone’s name when talking about them with someone else, she’d just refer to them as “outfit” as in:  "Uh, tell outfit over there when I come by she had better have my sweet potatoes ready."  She called my kid sister “Little Britches” well into adulthood when Trish towered about a foot over her.  She had an ornery streak and liked to take out her false teeth and chase us with them.  To a little kid of eight or ten years old, hell hath no fury like a pair of false teeth about to take a hunk out of your backside.  She frequently scared the dickens out of us and then laughed hysterically about it.  It was just her way, and as each of us got into our teens, we came to really enjoy watching her torment the younger ones (and to be really grateful that we were finally no longer in the target audience).
 
She could say a few words and say more than other people said in paragraphs.  When my cousin Jeffrey got the bright idea of firing a BB-gun straight down into a metal dog bowl at his feet and was summarily rewarded by having the BB ricochet and lodge in the end of his chin, we rushed him—bawling his head off—to see Aunt Belle.  She looked him over for a second or two and then offered, in that long, Texas drawl of hers:  “Well, Stupid!”   She suffered no fools and wasn’t afraid to tell you what she thought—and she might even crack you up in the process.
 
One of Belle’s favorite things to do was fish in our pond.  It was just a little farm pond, but it wasn’t fished much, and she’d occasionally pull some pretty good looking fish out of it.  She’d go down to the pond on a Saturday and spend the whole day there, just fishing, smoking, and listening to Hank Williams sing on the eight-track in her car.  Whether she caught anything or not, for her, there was no better life, no other place she’d rather be than on the bank of that ruddy little farm pond in Oklahoma under a sunny blue sky with a line in the water and plenty of bait in the can.  She’d literally spend hours down there, and sometimes I’d go down with her.  Not many words were spoken but more was said than some say in a lifetime.
 
I could talk all day about my memories of Aunt Belle.  She was always good to me, and I will miss her dearly.  I know all of you here feel just the same.  She was a good soul, and now she has gone on to her reward.
 
Many of us today have lamented that it takes something like this to get the whole clan together, that our only real family reunions anymore tend to be funerals.  That's a shame, but there's a bright side.  Thursday, there was a family reunion in heaven.  Belle was the last of her generation, the last of the twelve kids in her family to pass on.  When she moved over to the other side, there was a great welcoming home.  I envision her mother and dad, my great-grandparents, meeting her at the pearly gates and leading her by the hand to the Henderson pavilion there in heaven.  There are hugs and kisses all around, and Coleman, and Mattie, and Claudia and her twin brother, my Grandpa Charley, and all the rest unite for the first time in decades.  John T. is there with Pauline and just as ornery as ever, and a tear runs down his cheek as he sees his sister face-to-face for the first time in years.  The family circle is once again unbroken.
 
I know my Uncle Charles is there, too—he and Aunt Belle had some legendary “arguments” over the years—and he wouldn’t miss her homecoming for the world.  No longer hobbled by a bum leg courtesy of Vietnam, his big six-four frame runs up to her and wraps his arms around her and picks her up off that golden street.  Charles was the first of his generation to move on.  They say there are no tears in heaven, but I’ll bet he’s been a bit lonely waiting on his big sister, and my dad, and my Uncle Kenneth to join him.  After a lifetime of waiting, he finally got to know his father, and he wants them to know him, too.  Someday they will. 
 
Do you ever wonder what people in heaven do all day?  Today is Saturday, and I know exactly where Aunt Belle is right now.  She’s not in that casket.  She’s perched on a pond bank somewhere in heaven, with a line in the water and a perfect sky over head.  She’s catching fish left and right—big bass, catfish, crappie—you name it, and she’s loving every minute of it.  She’s got an endless supply of bait and a fish basket as a big as a truck.  And instead of listening to the eight-track in her car, ol’ Hank is right there with her, he’s got a line in the water too, and he’s singing “Hey Good Lookin’”, “Move It On Over” and a dozen others of her favorites as they bask in the eternal bliss that awaits the good and the just.
 
So, this is no time to mourn and fret about our loss.  Our loss is heaven’s gain and Aunt Belle’s release.  It was her time, and she’s receiving her just rewards after having led a long and prosperous life.  Those of us she leaves behind can only hope to be so fortunate.
13 janvier

What the Cowboys need

Watching the Dallas Cowboys self destruct this last season was painful for those of us who root for them.  I’ve been a Cowboys fan so long now I couldn’t change if I wanted to.  As pathetic as they’ve been at times, I’m no fair-weather fan.  That said, this year has been especially hard on me to remain a loyal fan for a number of reasons.
 
Number one is I still feel, as I always have, that Bill Parcells was a bad hire.  The best thing they could do is get rid of him.  I don’t subscribe to Parcells’ egocentric approach, his militaristic belief that you have to break people down to build them up.  What that leads to is being surrounded by yes men and sycophants and getting your ass handed to you by New Orleans on your home field late in the season.  I don’t think arm twisting and badgering people is what wins championships.  Basically, Parcells is a jerk, and real men don’t want to play for jerks.  I think he’s about a snide remark or two away from getting his clock cleaned by one of his players.  Here's hoping that Roy Williams is near his boiling point.
 
What we need is a young coach who earns the respect of his players and coaches by his worth ethic, his coaching decisions, and his game strategy, not one who demands it based on his vast experience in the past.  Parcells has the Cowboys where he has had every NFL team with which he has had any success whatsoever:  feeling lucky to have him around and willing to do almost anything to get him to honor his contract and not leave.  In other words, he has them exactly where he wants them.  And this brings me to my next point.
 
Number two, Jerry Jones is a bad owner.  I’ve always felt that way, and I probably always will.  Winning Super Bowls does not make for a great organization or a great owner because it’s not whether you win or lose; it’s how you play the game.  Firing Tom Landry the way he did is practically an unpardonable sin to those of us who grew up watching the man on the sideline.  Landry exemplified class and deserved better than that—way better.  And bringing in Barry Switzer to replace Jimmy Johnson was just plain stupid—for the Cowboys and for Switzer.  Sure, the Cowboys needed a less egocentric coach than Johnson.  I understood the need for a change.  But Barry Switzer?  Someone who’d never coached in the NFL and who hadn’t coached in college for several years?  Madness, pure madness.  That was Jerry’s ego at work.  Ditto for bringing in Deion Sanders.  God, what a waste.  We could have afforded three or four good players, players who’d have been productive for years, for what we spent on Mr. Me.  Good teams don’t need “stars”; they need people who love the game and play it for its own sake.  Stardom for the team—true stardom—comes from that, not the other way around.  Ditto for his handling of Chan Gailey.  One of the true gentlemen of the game and one of the best coaches in the business got screwed over because Jerry couldn’t see that Aikman was either tanking games or had lost—really lost—his skills.  Aikman cost both Switzer and Gailey their jobs before Jerry finally pulled the plug on him.  And don’t get me started about the Parcells hiring.  Again, Jerry thinks he can buy a championship by going out and paying top dollar for a premium coach.  What you need, Jerry, is a young coach who’s hungry, who keeps his ego in the cellar, and who earns his players’ respect.  And knowing that Jerry will never figure this out, what the Cowboys need is a new owner.
 
What of TO, you ask?  TO is merely Jones’ latest foible—another case of his trying to buy a championship, the principles of winning be damned.  Of course he should never have been brought to the team.  He’s an underperforming, preening, self-centered, arrogant ass who deserves to have to slog along with a crappy team.  Come to think of it, I guess that means that he and the Cowboys kind of deserve each other.  Regardless, I’m a Cowboys fan, so I’d like nothing better than to see TO TOssed out the door.  No doubt Jerry gave him the type of deal that would make that a bad financial move for the team.  Like I said:  Jerry is a poor owner—a meddlesome, classless, foolish pretender who should never had been allowed into ranks of the NFL in the first place.
 
What does this team need?  To clean house.  Since I know Jones isn’t going anywhere, I’ll just say that both Parcells and TO need to be shown the door.  Since we have virtually no chance of getting Sean Payton back, and since he, like lots of Parcells’ former assistants, despises the man and all that he stands for, he’d never come back as long as Parcells is around, anyway, I’d say let’s find a young assistant somewhere in the NFL ranks, someone who’s been very successful with his side of the ball and who has been around awhile.  Let’s give him free reign and keep the damned owner out of the coaching box.  And let’s not try to buy any more championships.  Let’s get young, hungry, selfless players who dress out on Sunday because they love the game—true warriors who leave it all on the field.  We don’t need any more money grubbers or media hounds.  Let Parcells posture himself right out the door, then get someone to replace him who keeps the team’s interests ahead of his own and who wakes up everyday feeling lucky to coach the game he loves.
 
11 janvier

Movie review: Rocky Balboa

Score:  ωωωωω   (Four out of five omegas)
 
Well, I went to see this one as I said I would.  My impressions?  This is the best Rocky movie since the original.  And it may be Stallone’s best acting ever.  He captured the essence of Brando that Roger Ebert wrote about after the first movie took home the Oscar for Best Picture in 1976.  It’s well worth your money to go see it.
 
Ten reasons I loved the movie:
 
1. Stallone’s growth as a writer is in evidence everywhere.  He has finally come into his own in this one.  He knew there was no room for mistakes, and he doesn’t make any (at least not any big ones).  I particularly liked that Mason Dixon isn’t a two-dimensional cardboard-cutout villain.  He’s no Clubber Lang.  He’s a real person and has likable qualities.  That’s something no other Rocky villain has had.  He may be young and arrogant, but he’s got goodness inside him, and Stallone deftly brings that out.
 
2. There are two or three long dialog scenes in the movie.  Normally, this is where a Rocky movie might falter, but, surprisingly, Stallone pulls these off with panache.  Take, for example, the scene where his son lays into him about how embarrassing it will be for him if Rocky gets back in the ring.  He seems to make a good case and seems to have a legitimate complaint.  Then Rocky responds and brings his misguided concern into perspective the way that only a person who’s lived a little could.  He speaks with the wisdom of a man who has seen a battle or two, and Stallone’s skill as a writer is what creates this completely believable and instantly memorable exchange.  It’s a highpoint of the film.  Another is the scene where Rocky appears before the boxing commission.  That scene is also handled exactly as it should have been.  Dramatic tension gradually builds until you’re virtually overcome with emotion, outrage that makes you as the viewer want to stand up and demand the protagonist do something.  Then finally comes the payoff.  You don’t quite have Dustin Hoffman shouting, “No, you’re out of order!” but it’s pretty darn close.
 
3. Stallone wisely foregoes the body paint and fake bronzing of the earlier movies.  He no longer looks like a cartoon character, a caricature of himself.  There’s an apocryphal story about Sly’s dad criticizing his physique after the first movie became so successful, and Stallone responding to it by turning himself into a WWF-style monster by the second and third movies.  I don’t know whether the story is true or not, but the bronzing and ridiculous bodybuilder look are thankfully gone.  Rocky looks like a puncher from Philly again, albeit one who’s in darn good shape to be 60 years old.  Once he’s in the ring, he could easily pass for 35—easily.  I don’t know what fitness regimen Stallone is on, but he ought to bottle and sell it.
 
4. The decision to have Adrian already dead at the start of the movie was a good one.  Stallone could have had her in the movie again for the whole ride or even had her die midway through.  I’m glad he didn’t do either of those.  Instead, we see him dealing with her loss right off the bat amid trying to connect with this son.  This works on many levels and shows Stallone has grown wiser as his characters have aged.
 
5. The casting is strong in this one.  From the major characters down to the minor ones, I can’t think of any weak performances.  For me, the two unsung heroes are Milo Ventimiglia (Rocky Jr.) and Irish actress Geraldine Hughes (Little Marie).  Both turn in performances they can be proud of and that make good scenes great.  I am still astounded at how authentic Geraldine’s South Philly accent sounds.  My jaw dropped when I saw an interview with her and she spoke in that beautiful Irish brogue of her native land.
 
6. Rocky’s one-liners are still endearing.  They don’t seem forced and still get a chuckle or two every time.  I wondered how they’d come off—whether they’d seem contrived or forced—but Stallone, again, handles this part of the creative process quite deftly.
 
7. The fight scene is as well-choreographed as any of the other films precisely because it does not appear to be choreographed.  Stallone was smart to use a real boxer in the role of the other fighter.  There are times they just appear to be going at each other while the cameras roll.  Boxing fans who watched Ali, Frazier, Foreman, and Holmes will wistfully recall a time when heavyweight fights used to be that way.  Sometimes they’d simply go toe-to-toe and wail on each other, mano a mano, for a bit.  The fight scene effectively captures that vibe.
 
8. The camera work in this one is very good.  Some poignant dissolves punctuate the film at just the right points, and the film makes good use of raw, very basic lighting in many places.  You get the sense of an indie film almost.  There’s some handheld camera footage, and the scenes around South Philly bring an honesty, a truthfulness not seen since the original film or perhaps the second one.  It’s almost as though Philadelphia becomes a character of its own in the story.  Stallone wisely seasons the movie with the Philly scenery and landmarks in just the right proportions—the movie isn’t a valentine to the city, but it is used to effectively tell the story and give the movie character.
 
9. I was surprised that I still liked the music.  Stallone opens the movie with the same doo-wap tune that opens the first movie (if memory serves, his brother wrote it).  Like most all of the music in the film, the tune works whether you remember the other movies or not.  Yes, an updated version of the famous Bill Conti theme is back, and, yes, it still makes you want to jump out of your chair and run up those steps.
 
10. I suppose the biggest compliment I could pay is the fact that my fourteen year-old son, who wasn’t even born when the last Rocky movie played and knew nothing of the previous flicks, reacted the same way I did when I saw the original in 1976.  He was ready to take on the world.  I remember feeling that way for a couple weeks back in 1976.  You throw on the sweats, you shadowbox, you run around looking like an idiot.  It is the definition of being inspired by something.  The underdog theme, the notion that the power to take on the world rests in your own two hands, that pushing yourself to your limits reveals inner courage and strength you never knew you had—I remember it well.  Corny as it may sound, teenage boys love that kind of stuff, and my son loved this movie.  I didn’t know until we were walking out of the theater that he was completely unaware of Rocky before this movie.  The guy in front of us overheard him say that and was as astonished as I was:  “You never heard of Rocky before?” he asked incredulously.  He couldn’t believe it, either.  But, despite my son's shocking ignorance of American pop culture, the real litmus test here is that he absolutely loved the movie.  He was on the edge of his seat during the boxing scene, and he knew he’d been on one of the most memorable rides of his young life when the credits rolled. 
 
So, young and old, newbie and Rocky fan alike thoroughly enjoyed this final installment in one of the most endearing stories ever to grace the silver screen.  More than the typical Rocky flick guilty pleasure, Rocky Balboa is actually a great movie.  It's a timeless story about heart, about courage, and about being true to yourself that knows no demographic or age boundaries.  My son and I liked it so much that we went back to see it multiple times (something I almost never do), and even went out and rented/bought all the old Rocky/Rambo movies and had a regular Sylvester Stallone film festival over Christmas.  This film stands right up there with the best work Stallone has ever done.  Given that he didn’t direct the first movie, I’d say this one is definitely his best work as a director.  It is also likely his best work as an actor.  And the writing is on par with the first film and pays a respectable homage to it.
 
Great way to retire the old puncher, Sly.  You were right to make this film.  I can’t wait for the final installment of Rambo.  You’ll have different challenges with that one than you did here, but if you handle them with half the finesse, skill, and taste you handled Rocky Balboa, I’ll be there in line on opening night.

 
15 décembre

Why I Am Going To See Rocky Balboa

The final chapter in the Rocky saga, Rocky Balboa, opens next Wednesday.  I’m going to see this movie the day it opens because, first of all, I liked the original.  It was good, honest filmmaking.  Sure, the underdog story is an old tried-and-true retread.  But Stallone handled it in an original way and rejuvenated the whole boxing film genre.  For that, he won the Oscar for Best Picture over such classics as All The President’s Men and Taxi Driver.
 
Second, Stallone’s purported reason for making the movie makes sense to me.  He says he wants to remove the bad taste left by the dark Rocky V and close out the franchise on his own terms.  That’s a pretty good reason, and I have to respect the honesty of trying to correct the mistakes of the past.
 
Third, the premise—an aging fighter coming out of retirement to challenge the current champ because a video game says he would win—is timely.  Video games that let us pit classic teams and athletes against one another abound.  My son plays one of them almost daily.  How many of us would like to see Michael Jordan take on Kobe Bryant one last time?  How many would like to see him go toe-to-toe with Dr. J?  How many of us would pay to see Joe Montana or Dan Fouts or Dan Marino throw one more pass in a real game?  Heck, I’ve often lamented that neither Fouts nor Marino ever won the big one.  I’d love to see the Chargers get to the Super Bowl, then bring in Fouts as a backup, get ahead by a comfortable margin, and let him play in the big one—maybe even close it out—just to get his due.  Who wouldn’t pay big money to see that?  Lots of us would.
 
Fourth, as I get older, the notion of challenging younger folks and turning back the hands of time a bit appeals to me more and more.  My hair seems to get grayer every day, my body creaks when I walk, and I know I can’t do all of the things I used to do.  As that Jerry Lee Lewis tune famously observed, we guys especially think we need to prove that we “still can.”  So, I can identify with this a bit.  I guess that’s part of the reason I took up Halo a few years ago and so thoroughly enjoyed schooling my younger coworkers and my teenage son.  The old man still has a few tricks up his sleeve.  My kids say that’s why I’ve let my hair grow down to my shoulders—I’m trying to look young.  There’s probably something to that.  Or maybe it’s just that I’m glad to still have most of my hair at my age :-)
 
Fifth, I like underdog stories, and as good as this franchise was at times, what a shame it would be for it to be defined by punch lines and late night TV wisecracks.  I'm pulling for the underdog here—I'm pulling for Rocky Balboa to pull off the upset and be a hit movie.  I'm pulling for it to be a good movie, a worthy successor to the original.  I think Stallone deserves it, and I think the series does.  There’s a little bit of Rocky in all of us, and I, for one, can’t wait to see this grand story brought to the respectable conclusion I think it deserves. 

Origins of khen and foo

For those wondering why I use the terms 'khen' and 'foo' so often, here's an article on the etymology of both:
 
 

What I Wish They'd Said: Matthew McConaughey

''Being yourself and being as good a man as I can be is sexy. My face is considered handsome. My body is considered well put together. For me not to appreciate that would be way out of line. It doesn't mean that I'm not anything else.'' --Matthew McConaughey
 
Be yourself, eh?  As Bill Cosby once famously asked, "But what if you're an asshole?"  If Rush Limbaugh is as good a man as he can be, is that sexy?
 
God, I'm sick of this guy.  What do I wish he'd said?  Nothing at all.  Just keep your mouth shut, Matt.  Every time you open it, some arrogant idiocy spills out.  You are a poster boy for narcissism.  Look up the word "vain" and you'll find your picture.  You are completely, totally, utterly full of yourself.  God help us all if you're what movie stars are made of these days.
 
"It doesn't mean that I'm not anything else"?  You're right.  And I think Bill best summed up what else you are.
5 décembre

What I Wish They'd Said: Brett Favre

Ever hear someone you respect say something and kind of cringe?  Ever wish you could get them to say something else instead?  Today begins a new feature entitled, “What I Wish They’d Said.”  I’ll begin with something the person in question actually said then tell you what I wish they’d said instead.
 
What he said:
 
“I'm glad I made the decision to come back, but this is difficult. I never thought I'd see it, but here we are. I never thought I'd be part of a game or a season like we've had the last two years." – Brett Favre
 
This under the heading of “Favre questions decision to return” on a website I frequent.
 
What I wish he’d said:
 
“I’m glad I came back.  I will keep coming back as long as they will have me and as long as I can help my team.  Every week I get up on Sunday morning knowing that I get to do what I love:  play football.  I have loved this sport since I was a kid and I always will.  It is in my blood.  It is a privilege to play it, at any level, and win, lose, or draw, I love the game for its own sake.  Every time I line up under center and look out across my line and see my guys about to go to battle for me and for each other, I realize how lucky I am.  Every time I see the warriors on both sides square off against each other, their hot breath blustering from their nostrils in the cold December air like so many wild bulls about to charge each other, just waiting on my command to start the fight, I realize I have the greatest job in the world.  And when I take that snap and drop back looking for my next target or stick the ball in the gut of one my comrades, I know there is no better life.  There is nothing I’d rather be doing because, while losing is hard, not playing is even harder.  I love my team and I love this game and I will play it until they carry me off the field in pieces."
 
31 octobre

The Sixteen Days of Halloween: Day 16

Welcome to the end of The Sixteen Days of Halloween. Today is day 16. Free at last, free at last, thank God Almighty, I’m free at last!

Today’s song is "Somebody’s Watching Me"* (1984) by Kennedy Gordy. Gordy is the son of Motown founder and CEO Barry Gordy and went by the stage name "Rockwell" in the 80s when he recorded this song.

The song touches on paranoia in its various forms and makes a number of references to horror movies. It also samples the theme from The Twilight Zone television show.

The song is more notable for its backup singers than for its lead. Guest vocalists Michael and Jermaine Jackson sang the chorus on this one and generated considerable interest in the song given that it was released during Michael’s Thriller heyday. We began The Sixteen Days of Halloween with a Michael Jackson tune. I guess it’s fitting that we should end it with one.

I think Michael’s contribution to the chorus took him all of about five minutes to record and is simply looped over and over (with some occasional Jacksonian "hee-hees" that may or may not actually be him—they can work wonders in the studio). I can’t really distinguish Jermaine’s vocals in the song from Michael’s. They were both doing the high-pitched-sensitive-girly-man thing back then. When the song first came out, I thought that Michael sang on the record because Rockwell was Barry Gordy’s son but have since learned that Michael, Jermaine, and Kennedy were childhood pals.

Rockwell was a one-hit-wonder if ever there was one, but the song is still pretty catchy. It has been covered and sampled by several other groups and remains a radio favorite (especially around Halloween) to this day.

Honorable Mention today goes to "Tubular Bells"* aka "The Exorcist Theme" by Mike Oldfield. It’s a spooky little tune for sure. I’d rank it up there with Bach’s "Toccata and Fugue in D Minor" as one of the scarier instrumentals I’ve heard.

So, there you have it. Khen’s 16 Days of Halloween tunes. To recap, here they are again:

Day

Song

Honorable Mention

1

"Thriller" by Michael Jackson

 

2

"Monster Mash" by Bobby Pickett

"Monster Mash" by the Beach Boys

3

"People Are Strange" by The Doors

"Riders on the Storm" by The Doors

4

"Rapture" by Blondie

"Rapture Riders" by Blondie and The Doors

5

"The Devil Went Down to Georgia" by The Charlie Daniels Band

 

6

"Rhiannon" by Fleetwood Mac

"Witch Woman" by The Eagles

7

"Ghostbusters" by Ray Parker, Jr.

 

8

"(Ghost) Riders in the Sky" by Johnny Cash

"Highwayman" by The Highwaymen

9

"Feed My Frankenstein" by Alice Cooper

"Welcome to My Nightmare" by Alice Cooper, "Devil’s Food" by Alice Cooper

10

"The Time Warp" and "Touch-A-Touch-A-Touch Me" from The Rocky Horror Picture Show, "Toccata and Fugue in D Minor" by Bach, "Tales From The Crypt" from the TV show, "Nightmare on Elm Street" from the movie of the same name, "Werewolves of London" by Warren Zevon, "Funk Nassau" from The Blues Brothers 2000 soundtrack

 

11

"Shot In The Dark" by Ozzy Osbourne

"The Ultimate Sin" by Ozzy Osbourne

12

"(Don’t Fear) The Reaper" by Blue Öyster Cult

"Godzilla" by Blue Öyster Cult

13

"Spooky" by Atlanta Rhythm Section

 

14

"The Number of the Beast" by Iron Maiden

"Super Freak" by Rick James

15

"Bad Moon Rising" by Creedence Clearwater Revival

 

16

"Somebody’s Watching Me" by Kennedy Gordy (Rockwell)

"Tubular Bells" by Mike Oldfield

 I said at the outset that these weren’t in any particular order, but I’m sure the teeming masses around the world are dying to see how I’d rank them, so here you go:

Rank

Day

Song

Honorable Mention

1

2

"Monster Mash" by Bobby Pickett

"Monster Mash" by the Beach Boys

2

3

"People Are Strange" by The Doors

"Riders on the Storm" by The Doors

3

11

"Shot In The Dark" by Ozzy Osbourne

"The Ultimate Sin" by Ozzy Osbourne

4

12

"(Don’t Fear) The Reaper" by Blue Öyster Cult

"Godzilla" by Blue Öyster Cult

5

15

"Bad Moon Rising" by Creedence Clearwater Revival

 

6

6

"Rhiannon" by Fleetwood Mac

"Witch Woman" by The Eagles

7

5

"The Devil Went Down to Georgia" by The Charlie Daniels Band

 

8

8

"(Ghost) Riders in the Sky" by Johnny Cash

"Highwayman" by The Highwaymen

9

13

"Spooky" by Atlanta Rhythm Section

 

10

4

"Rapture" by Blondie

"Rapture Riders" by Blondie and The Doors

11

10

"The Time Warp" and "Touch-A-Touch-A-Touch Me" from The Rocky Horror Picture Show, "Toccata and Fugue in D Minor" by Bach, "Tales From The Crypt" from the TV show, "Nightmare on Elm Street" from the movie of the same name, "Werewolves of London" by Warren Zevon, "Funk Nassau" from The Blues Brothers 2000 soundtrack

 

12

9

"Feed My Frankenstein" by Alice Cooper

"Welcome to My Nightmare" by Alice Cooper, "Devil’s Food" by Alice Cooper

13

14

"The Number of the Beast" by Iron Maiden

"Super Freak" by Rick James

14

1

"Thriller" by Michael Jackson

 

15

16

"Somebody’s Watching Me" by Kennedy Gordy (Rockwell)

"Tubular Bells" by Mike Oldfield

16

7

"Ghostbusters" by Ray Parker, Jr.

 

Probably something like that, but it’s hard to say. I like some of the honorable mention songs from one day better than the actual winners on others. Also, some of the movie and TV songs from Day 10 would need to be split out to really be fair to everyone. I certainly like "Werewolves of London" better than "The Time Warp," for example.

So, in the spirit of talking about creepy things on All Hallow’s Eve, I’ll close with some final thoughts for Mr. Michael Jackson in the form of an open letter. As the clock draws near midnight, the moon hides her face behind the murky clouds, and the Halloween revelers are safe at home divvying up their booty and getting ready for school tomorrow, here are a few parting thoughts for one of the creepier people alive today:

Michael,

Now that you’ve beaten the molestation charges again and moved to a country that conveniently doesn’t have an extradition treaty with the U.S., I have some thoughts on how you might straighten your life out—some advice on how to end the freak show that began in the aftermath of Thriller and continues to this day:

1. Stop taking the female hormones to keep your voice high. Let it change and do whatever it was supposed to have done 30 years ago. The drugs are messing up your head and fooling you into believing that you actually want to look like Sela Ward. Get off all drugs for which you don’t have a legitimate medical need immediately. If you’re addicted to some of them, get help, but get off them.

2. Stop taking the skin bleaching pills. I don’t think you really have vitiligo. You didn’t as a kid, and most vitiligo sufferers exhibit symptoms in childhood. I think you wanted to turn yourself into a white guy. Unfortunately, this, combined with your manic addiction to plastic surgery, has you looking more like a white woman than a white man (see earlier remark about Sela Ward).

3. Don’t get any more plastic surgery unless it’s to undo damage done by previous surgeries and can be done safely. Lose the overdone, cleft chin and Chuck Connors jaw line. Lose the ridiculous cheekbones. If those are implants and can be safely removed, get ‘em removed. Get back as much of your natural appearance as possible. The old Michael looked just fine.

4. Lose the page-boy wig and go back to your own hair. No one believes that’s yours, man. It looks like it spends its nights on a Styrofoam head. Get up tomorrow morning and leave it there.

5. Lose the lipstick, false eyelashes, and eyeliner. Stop wearing makeup.  I’ve heard you had your eyeliner permanently tattooed on. Nice move. That might limit your options now, but do what you can to undo all this cosmetic stuff without further injuring yourself.

6. Quit spending more than you make. Get your financial affairs in order and make sure you’re set up money-wise from now on. Lose the extravagance and live within your means. Make a living where you can, but always spend less than you make. Do what you have to in order to lower your expenses and get your debts paid off.

7. Get back to your old music. Do some Jackson 5 numbers—"ABC" would be a good start. Don’t make statements or appearances; make music.

8. Quit thinking of yourself as some type of music royalty and quit comparing yourself to Elvis and the like. Be a normal guy and an artist. Live a simple life and don’t focus so much on your legacy that you neglect the present. Your legacy will take care of itself if you take care of the present.

9. Stay away from kids in general and don’t ever, ever pal around with any that aren’t your own. I imagine that getting off the hormones and other drugs will do wonders for you in this department, but in case not: use some commonsense, for cryin’ out loud. Even if you have those feelings, you can’t indulge them. Get yourself some help, and for God’s sake, don’t hurt anyone else. Even if you never molested anyone and your intentions are completely honest, it’s a different world now, Michael, and you’ll ruin what’s left of your life if you don’t handle this area of it properly.

10. Get away from all the people and things that make you unhuman. Learn to be a person again. Get away from material things and artificiality. You have constructed a bogus world for yourself that you are now trapped within. It has become your prison, a veritable house of horrors featuring crazies like Liz Taylor, Liza Minelli, and whoever is in the absurd menagerie that is your current entourage. Only you can free yourself. Get back to basics, to who you were when you were a kid just starting out, loving the music and loving performing. Become a man and live life honestly.

If you do all these things and get yourself back into some semblance of who you once were, you ought to go on TV via interviews and such and apologize for the pain you’ve caused people and for all your Howard Hughes-ian weirdness. Assure people you’re back to your old self—that easy-going, good-natured wunderkind with the boundless energy and the radiant smile. I never dug your music, but a lot of people did and would again if you’d just get your act together.

Sincerely,

Never a Fan, But Struck by the Tragedy of Your Life

Dallas, TX 

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*Click on the link to listen to the song.  You’ll be directed to Napster's NapsterLinks page, at which you can set up a free account if you don’t already have one to hear any song in their library.  If you already have an account, sign in, and the tune you clicked will start playing.
 

 

The Sixteen Days of Halloween: Day 15

Today’s Halloween song is “Bad Moon Rising”* by Creedence Clearwater Revival.  It’s a John Fogerty (the lead singer) classic and has stood the test of time.
 
I mentioned in an early post on this thread the irony of the fact that "Werewolves of London" wasn’t used on the soundtrack for the movie An American Werewolf in London.  This song, however, was—along with Van Morrison’s Moonance, which I’ve also covered in the past.
 
The song drips with American deep south mysticism.  The whole notion of a “bad moon” in the first place is straight out of hillbilly folklore and superstition.  “Bad Moon Rising” takes the theme a little further and gets into apocalyptic events (I use “apocalyptic” here in the modern sense of the word; originally “apocalypse” meant simply “revelation”—there was no connotation of anything good or bad about the revelation.  This is where the modern titling of the last book of the Bible as “The Revelation of St. John the Divine” comes from even though it was known in ancient times as the “Apocalypse of John.”  This is how the notion of a mystical revelation came to be associated with Armageddon, the end of the world, and so forth.
 
The thing I like most about this song is the contrast between the chirpy melody and the dark lyrics.  It’s a happy little tune carried along by some light 60s-era guitar.  It makes a great dance number.  If you didn’t listen to the words, you might think it was celebrating something.  Not so—check out these lines, for example:
 
Dont go around tonight,
Well, its bound to take your life,
Theres a bad moon on the rise.
 
I can see why they used it in An American Werewolf in London and why there have been a couple of horror-themed B-movies that alluded to it.  Anyway, hopefully this Halloween won’t greet you with a bad moon.  If it does, don’t go out--at least not without your magic rabbit’s foot and your lucky horseshoe.
 
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*Click on the link to listen to the song.  You’ll be directed to Napster's NapsterLinks page, at which you can set up a free account if you don’t already have one to hear any song in their library.  If you already have an account, sign in, and the tune you clicked will start playing.
 

 
29 octobre

The Sixteen Days of Halloween: Day 14

Today’s song is “The Number of the Beast”* by Iron Maiden.  Yes, the title says it all.  It’s another of these #$@#$ heavy metal Devil songs.  Can’t British metalheads find anything else to sing about?  Nevertheless, it’s a pretty decent song, and, given the lyrics, melody, and subject matter, I’d be remiss if I didn’t include it.  Not that every song on the list has to be out-and-out creepy.  Today it was a contest between Rick James’ “Super Freak”* and this one, with this one winning out because it has more of a horror theme, and, hey, “Super Freak” ain’t scary at all, especially to the men of the world.  Most would love to meet a girl like Rick sings about, Mom notwithstanding.
 
“The Number of the Beast” was inspired by a nightmare bassist Steve Harris had after watching the movie “Damien:  Omen II.”  And, of course, the overall theme is straight out of the Bible.  It features copious amounts of religious and occult imagery for those who like mixing the two.
 
The song is right up there with The Who’s “Won’t Get Fooled Again” for featuring one of the best rock ‘n’ roll screams ever.  Supposedly, this was due to vocalist Bruce Dickenson being forced to sing the song over-and-over for hours on end which caused him to eventually lose it and scream into the mic in protest (hello, vocal cord scarring).  From what I’ve read, Dickinson hasn’t been able to hit the high pitch of that scream since the song was first recorded.
 
Although the song mentions fire and chants, it’s probably not one you’d sit around the campfire and sing:
 
The night was black was no use holding back
Cuz' I just had to see was someone watching me
In the mist dark figures move and twist
was all this for real or just some kind of hell
666 the Number of the Beast
Hell and fire was spawned to be released
Torches blazed and sacred chants were phrased
as they start to cry hands held to the sky
In the night the fires are burning bright
the ritual has begun Satan's work is done
666 the Number of the Beast
Sacrifice is going on tonight
 
I almost feel like apologizing for including it, but, honestly, The List wouldn’t be complete without some of these metal songs.  Every other time they sing, they touch on horror-related themes and subjects--it's their gig.  Hopefully, the better metal bands pull this off without getting too far into the farcical.  Hopefully, they do horror without being horrible; they frighten without being frightful.  Like a lot of heavy metal bands, Iron Maiden—a band that took its name from a device used for torture—celebrates darker things like pain and torture and sometimes ventures off into the tortuous.  They stick to a pretty basic set of topics and themes and beat the ever-living crap out of them in every song.  They check subtlety and finesse at the door.  And right about the time they’ve worn out a particular subject, they do it once more just for kicks.  That said, this is generally a good rock ‘n’ roll song and will give you something to think about as you’re out and about looking for candy this year.
 
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*Click on the link to listen to the song.  You’ll be directed to Napster's NapsterLinks page, at which you can set up a free account if you don’t already have one to hear any song in their library.  If you already have an account, sign in, and the tune you clicked will start playing.
 
28 octobre

The Sixteen Days of Halloween: Day 13

Today’s Halloween number is the cover of “Spooky”* by the Atlanta Rhythm Section.  Originally recorded* by the Dennis Yost and Classics IV, I think the ARS version is actually the best one out there.  I know I have some preternatural bias against drummer-vocalists (Yost was also the band’s drummer) because they seem to be more about percussion than the carrying a tune, but the ARS version is simply fuller and more soulful, in my opinion.
 
As for why the song is on the list, it’s not that the melody or the lyrics are terribly creepy, it’s just that the song is, well, spooky (sorry).  The song gets on The List for actually mentioning Halloween (one of the few non-horror songs to do so), and it’s a great listen any time of the year, which was one of my main criteria.  Check out the lyrics:
 
In the cool of the evening
When everything is gettin kind of groovy
I call you up and ask you if you
Would you like to go with me and see a movie
First you say no, you've got some plans for the night
And then you stop, and say, all right
Love is kinda crazy with a spooky little girl like you
 
You always keep me guessin
I never seem to know what you are thinkin
And if a fella looks at you
It's for sure your little eye will be a-winkin
I get confused, cause I don't know where I stand
And then you smile, and hold my hand
Love is kinda crazy with a spooky little girl like you
Spooky
 
If you decide someday to stop this little game that you are playin
I'm gonna tell you all what my heart's been a-dyin to be sayin
Just like a ghost, you've been a-hauntin my dreams
So I'll propose on Halloween
Love is kinda crazy with a spooky little girl like you
Spooky, spooky, oh whoa, all right
Spooky, oh yea yea
I said Spooky yea yea
 
Yeah, I’ve had spooky girlfriends before.  And I’ve been haunted by a few of them, so I can relate.  I don’t know about proposing on Halloween, though.  That’s a little out there if you ask me.  I’ve got better things to do on All Hallow’s Eve :-)
 
The Atlanta Rhythm Section had a fairly unremarkable run.  Like a lot of southern rock bands, they peaked in the 70s.  They were viewed as more of mellower Lynyrd Skynyrd than a distinctive band unto themselves.  They had a few hits, and this cover is one of them.  If nothing else, I get a kick out of the line “Just like a ghost, you’ve been a-hauntin’ my dreams.”  A-hauntin’?  Who wrote this?  Dolly Parton?  Corny lyrics aside, it’s a great song and ARS pulls it off superbly—a soulful number that is still fresh after all these years.
 
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*Click on the link to listen to the song.  You’ll be directed to Napster's NapsterLinks page, at which you can set up a free account if you don’t already have one to hear any song in their library.  If you already have an account, sign in, and the tune you clicked will start playing.
 
 
 
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